Fragment #272

Jonathan Shaw, Triple Jump. Alexander Stadium, Birmingham. June, 1996, Lambda print, 13 x 71.5 cm, Birmingham Library & Archive Services. In On the Move: Visualising Action, Estorick Collection of Modern Italian Art, 39a Canonbury Square, London, January 13-April 18, 2010.

The birth of the Italian Futurist movement in 1909 signalled the beginning of a renewed interest in the problematic relationship between movement and its static representation in painting and sculpture — an issue that had long concerned artists. […]